VICTORIA FU
b. Santa Monica, California
M.F.A. California Institute of the Arts
B.A. Stanford University
Skowhegan School of Painting and Sculpture, 2006
Whitney Independent Study Program, 2005-06
SOLO EXHIBITIONS / COMMISSIONS
2026
Victoria Fu and Matt Rich, Purple Line Subway Station Design Commission, LA Metro, Los Angeles, CA (forthcoming)
2024
Sunset Spectacular, WeHo Public Project, curated by Diana Nawi, Orange Barrel Media commission, West Hollywood, Los Angeles, CA
Gingko, San Marcos Public Project, curated by DVDL, commission for North City San Marcos, CA
Monumental Perspectives, Los Angeles County Museum of Art x Snapchat, Los Angeles, CA
2022
Milka Djordjevich / Victoria Fu & Matt Rich, Getty Center, Los Angeles, CA
2021
Victoria Fu, Halsey McKay Gallery, East Hampton, NY
2020
Victoria Fu, solo exhibition at DOCUMENT, Chicago, IL. February 28 - May 30, 2020.
2019
TÉLÉVOIX, Honor Fraser, Los Angeles, CA
Friends with the Monster, (with Matt Rich and Marcus Civin), Station Gallery, Roski School of Art + Design, University of Southern California, Los Angeles, CA
Victoria Fu: Télévoix, University Art Gallery, California Polytechnic State University, San Luis Obispo, CA
2018
Monster A., as Victoria Fu & Matt Rich, University Hall Gallery, University of Massachusetts Boston, MA
Out of the Pale, Museum of Contemporary Art, Tucson, AZ
Velvet Peel, Humanities Center Gallery, University of San Diego, CA
2017
Télévoix, Simon Preston Gallery, New York, NY
Yup Yup, as Victoria Fu & Matt Rich, Angels Gate Cultural Center, San Pedro, CA
Victoria Fu / Matt Rich, The Suburban, Milwaukee, WI
Art Los Angeles Contemporary, with Honor Fraser, Santa Monica, CA
2016
Egg, museum site commission, Katonah Museum of Art, Katonah, NY
Suns, public mural commission in collaboration with Byron Kim, Murals of La Jolla, CA
2015
Novial Gold Over Green, Center for Ongoing Research & Projects (COR&P), Columbus, OH
Velvet Peel, Honor Fraser, Los Angeles, CA
Bubble Over Green, The Contemporary, Baltimore, MD
2014
Belle Captive, Simon Preston Gallery, New York, NY
Cult of Splendor, University Art Gallery, UC Irvine, CA
Crossbar Radical-Tick Scoop Star, Document, Chicago, IL
2013
Belle Captive, Emerson Dorsch, Miami, FL
Lorem ipsum, Marginal Utility, Philadelphia, PA
Time in Three Parts, University of the Arts, Philadelphia, PA
A Cloud is Not a Sphere, Flashpoint/CulturalDC, Washington, DC
2012
Milk of the Eye, Samsøn Projects, Boston, MA
2009
The Afterlife of Memory, Savannah College of Art + Design, GA
2007
Lodestar | Polaris, General Public, Berlin, Germany
The Lost Picture Show, curated by Susanna Prinz, Ballhaus Ost, Berlin, Germany
2005
Convergence, Mint Gallery, CalArts, Valencia, CA
SELECTED GROUP EXHIBITIONS & SCREENINGS
2024
Digital Witness: Revolutions in Design, Photography, and Film, Getty Pacific Standard Time (PST) ART: Art & Science Collide, Los Angeles County Museum of Art, Los Angeles, CA
EXPO Chicago, with DOCUMENT, Chicago, IL
2023
San Diego Abstraction: Then and Now, Art Gallery, Southwestern College, Chula Vista, CA
Global Visions: Selections from the JPMorgan Chase Art Collection, Paris Photo, Paris, France
Waiting Room: Craft & Wellbeing, Central Library Art Gallery, San Diego Public Library, San Diego, CA
Light Waves, Document Gallery, Lisbon, Portugal
2022
Objects of Desire: Photography and the Language of Advertising, Los Angeles County Museum of Art, Los Angeles, CA
2021
New Iconography: Artists Raising Children, curated by Daniel Gerwin, The Landing, Los Angeles, CA
Experimental Photography, curated by Charlotte Cotton, Tasweer, Qatar Museums, Doha, Qatar
2020
Interiors, DOCUMENT, Chicago, IL.
New Visions: Triennial for New Photography, Henie Onstad Art Center, Oslo, Norway.
Self-Preservation: Theodora Allen, Christopher Culver, Victoria Fu, A. G., Beatriz Olabarrieta, John Riepenhoff, Torbørn Rødland, Amanda Ross-Ho, Ed Ruscha, Sara VanderBeek, Siebren Versteg, curated by Alan Gutierrez, Primary Projects, Miami, FL.
2019
Brave New Worlds: Explorations in Sculpture; Kelly Akashi, Gisela Colon, Victoria Fu, Karen Lofgren and Addee Roberson, Palm Springs Art Museum, Palm Springs, CA.
Mur Murs: A Film Series, Roy & Edna CalArts Theater (REDCAT), Walt Disney Hall, Los Angeles, CA; Blicke Kino, Vienna, Austria; Medienwerkstatt, Vienna, Austria; Echo Park Film Center, Los Angeles, CA; Now Instant, Los Angeles, CA
This Skin of Ours: Kader Attia, Matty Davis & Ben Gould, Victoria Fu & Matt Rich, Byron Kim, Kiki Kogelnik, Sara Greenberger Rafferty, Wilmer Wilson IV, Miller Institute of Contemporary Art, Carnegie Mellon University, Pittsburgh, PA. Curated by Liz Park.
New Media: 8 Perspectives: Lauri Astala, Peter Campus, Victoria Fu, Erdal Inci, Adam Magyar, Kambui Olujimi, Leslie Thornton and Naoko Tosa, curated by Jay Grimm, 375 Hudson Gallery, New York, NY
Screen Share 19: Rehearsal, curated by Nicole Mauser, Logan Center for the Arts, The University of Chicago, Chicago, IL
Vanishing Act: Colby Bird, David Kennedy Cutler, Victoria Fu & Matt Rich, Kara Hamilton, Sheree Hovsepian, Virginia Lee Montgomery, Francis Picabia, Eli Ping, Brie Ruais, Paul Mpagi Sepuya, Wilmer Wilson IV, Halsey McKay Gallery, East Hampton, NY. May 4 - June 2.
Video In Site: The Suburbs: Harry Dodge and Stanya Kahn, Alyse Edmur, Victoria Fu, Margie Schnibbe, Kenneth Tam, Kerry Tribe, William Wegman, curated by Maura Brewer and Paul Pescador, VEGGIECLOUD, April 25, 8pm, free.
From Theory to Practice: Trajectories of the Whitney Independent Study Program, University Art Gallery, UMass Boston, MA
Being Here with You, Museum of Contemporary Art San Diego, San Diego, CA
2018
Language and Abstraction/Form in the Realm, presented in association with the CCA Wattis Institute, San Francisco Cinémathèque, CA
Stars and Cells: Nicole Cherubini, Victoria Fu, Carrie Moyer, SEPTEMBER GALLERY, Hudson, NY
Relative Space, curated by Asha Bukojemsky, Elevator Mondays, Los Angeles, CA
San Diego Art Prize, as Victoria Fu & Matt Rich, La Jolla Athenaeum, La Jolla, CA
Within Genres, Pérez Art Museum, Miami, FL
10 Years, Simon Preston Gallery, New York, NY
Conceptual Feedback, curated by Emily Gonzalez-Jarrett, Honor Fraser Gallery, Los Angeles, CA
A World in a Grain of Sand, curated by Robin Peckham, Foshun Foundation, Atlantis Sanya, Hainan, China
Zona MACO, with Honor Fraser, Gallery, Mexico City, Mexico
2017
NADA Miami, with Simon Preston Gallery, Miami, FL
Paris, London, Hong Kong, Portland, Brooklyn, Detroit, Los Angeles, Chicago, San Diego, Oak Park, Berlin, as Victoria Fu & Matt Rich, Document, Chicago, IL
Snow Screen, curated by Hyejung Jang, Archive BOMM, Seoul, Korea
EXPO Chicago, with Document, Chicago, IL
Amplify Compassion, 356 S. Mission, Los Angeles, CA
Camera Movement, Fotogalleriet, Oslo, Norway
Light Year 21: Peering Behind Appearances, Manhattan Bridge Anchorage, Brooklyn, NY; Kemper Museum, Kansas City, MO; Fata Morgana, Berlin, Germany
2016
IN/SITU: A Break in the Code, curated by Diana Nawi, EXPO CHICAGO, Navy Pier, Chicago, IL
Summer Exhibition, Honor Fraser, Los Angeles, CA
Geographically Indeterminate Fantasies: The Animated GIF as Place, curated by Art F City, GRIN Gallery, Providence College, Providence, RI
SUMMER SHOW, Simon Preston Gallery, New York, NY
Open Window, organized by Marco Braunschweiler, Museum of Contemporary Art (MOCA Grand), Los Angeles, CA
The Artists’ Library, organized by Warren Neidich, LA><ART, Los Angeles, CA
Default, curated by Eden Phair, Honor Fraser, Culver City, CA
OPEN PLAN, curated by Jacopo Crivelli Viscontni, SP-arte, Sao Paolo, Brazil
COULISSE EFFECT II, curated by Josephine Shokrian, Haeler Echo, Brooklyn, NY
Tulsa Overground, curated by Benjamin Dowell, Tulsa, OK
2016 Biennial Art Auction, Museum of Contemporary Art San Diego, La Jolla, CA
The Armory Show, with Honor Fraser, New York, NY
2015
A Painting is a Painting isn’t a Painting, curated by Hamza Walker, Kadist Foundation, San Francisco, CA
Projections, curated by Aily Nash and Dennis Lim, Film Society of Lincoln Center, 53rd New York Film Festival, NYC
Vision Quest, curated by Andrew Rosinski and Fern Silva, Museum of Contemporary Art Chicago, IL
At First You Don’t Succeed, curated by Robert Wechsler, College of Creative Studies Gallery, UC Santa Barbara, CA
THE DOUBLE, curated by Skowhegan, Select Art Fair, Center 548 (former Dia Building), New York, NY
NADA Miami Beach, with Simon Preston Gallery, Miami Beach, FL
Borrowed Landscapes, curated by Nikko Mueller, Boehm Gallery, Palomar College, San Marcos, CA
2014
Projections, Film Society of Lincoln Center, 52nd New York Film Festival, New York, NY
Benefit Art Auction, The Kitchen, New York, NY
SUMMA Contemporary Art Fair, with Christopher Grimes, Madrid, Spain
ArtRIO14, with SIM Galeria, Rio de Janeiro, Brazil
Object Object!, Helmuth Projects, San Diego, CA
TYPOLOGY: Of Other Faces, Artscape Youngplace, Toronto, Ontario
Eric’s Trip, curated by Cynthia Daignault and Mark Loiacono, Lisa Cooley Gallery, New York, NY
2014 Whitney Biennial, curated by Stuart Comer, Anthony Elms and Michelle Grabner, Whitney Museum of American Art, New York, NY
Trouble with the Index, curated by Joanna Szupinska-Myers, UCR/California Museum of Photography, Riverside, CA
Moving Image Art Fair New York, (with Emerson Dorsch), New York, NY
Spectrum, curated by Nathan Coutts and Keith J. Varadi, St. Vincent de Paul Thrift Store, Minneapolis, MN
Topophilia, curated by Arthur Ou, BANK, Shanghai, China
2014 Biennial Art Auction, Museum of Contemporary Art San Diego, La Jolla, CA
Centerfold, curated by Annette Isham and Zac Willis, Project Four, Washington, DC
Zona México Arte Contemporáneo with Samsøn, Mexico City, Mexico
A Teoria do Desvio dos Raios Luminosos e Outras Histórias, curated by Jacopo Crivelli Visconti, SIM Galeria, Curitiba, Brazil
IX Bienal Nicaraguense (BAVNIC IX), program curated by Omar Lopez Chahoud, Managua, Nicaragua
2013
Approximately Infinite Universe, Museum of Contemporary Art San Diego, La Jolla, CA
Elastic de facto, curated by PictureMenu, Carter & Citizen, LA, CA
Digital to Analog, curated by Aspect Ratio at the W, EXPO CHICAGO
Thanksgiving Dinner, Oof Collective for CITYWIDE, Vox Populi, Philadelphia, PA
UNTITLED Art Fair, with Emerson Dorsch, Miami Beach, FL
2012
I Glove You, curated by Ridley Howard and Ester Partegàs, Reynolds Gallery, Richmond, VA
THE DOUBLE, curated by Skowhegan, Cabinet, Brooklyn, NY and LAXART, Los Angeles, CA
Hyper-Modern-Post-Alter-Anti, curated by Cindy Smith in association with College Art Association, Westin Bonaventure Hotel, Los Angeles, CA
Render: New Constructions in Video Art, UCR/California Museum of Photography, Riverside, CA
Microscapes, curated by Amanda Jiron-Murphy, DC Art Center, Washington, DC
Chinati Weekend Special Programs (with Ester Partegas), Chinati Foundation, Marfa, TX
Snapshot: Home Movies, Phillips Collection, Washington, DC
2011
Film Forum, Hirshhorn Museum & Sculpture Garden, Washington, DC
Tangible Time: Chasing the Invisible, Nest den Haag, Netherlands
Indweller, Archer Gallery, Clark College, Vancouver, WA
Storefront Video, curated by Akosua Adoma Owusu, Transformer Gallery, Washington, DC
Zona México Arte Contemporáneo (with Samsøn), Mexico City, Mexico
2010
Geosphere, Lost+Found, Theatrum Anantonicum, Amsterdam, NL
Civil Disobedience, curated by LaToya Ruby Frazier, White Box Gallery, New York, NY
Conversions, BronxArtSpace, Bronx, NY
Into the Great Wide Open: New Video from L.A., The Woodmill, London, UK
2009
Juntos acordaron adelantar el oscurecer, Fundación Sa Nostra, Palma de Mallorca
Women Behind the Lens, Anthology Film Archives, New York, NY
Incidental Arrangements: Merry Xmas / War is Over, Galleria Gentili, Prato, Italy
2008
Master Humphrey’s Clock: Shadow Cabinet, De Appel, Amsterdam, Netherlands
Here Once Again: Where Art and Cinema Interact, Seoul National University Museum and Gallery Loop, Seoul, Korea
Calypso Videotheque, Sala Rekalde, Bilbao, Spain
Decameron, CRG Gallery, New York, NY
RUNNING TIME 24:00:00, Los Angeles Contemporary Exhibitions, Los Angeles, CA
2007
In the Viewing Room, curated by Lisa Sigal, Frederieke Taylor Gallery, New York, NY
Notes from the Overpass: Art from L.A., Academy of Fine Arts, Helsinki, Finland
Mystery, Frederieke Taylor Gallery, New York, NY
Ocho y Medio, Museo de la Ciudad, Quito, Ecuador
“The Singer Sucks, but the Band…”, Sunday L.E.S. Gallery, New York, NY
2006
Signal Channel: Contemporary Video Art, Bemis Center for Contemporary Art, Omaha, Nebraska
Whitney ISP Show, Chelsea Museum of Art, Miotte Foundation, NYC
VideoMixTape 5, Kunstraum Innsbruck, Austria
Is She or Ain’t She?, Issue Project Room, Brooklyn, NY
Interval (2), Slade School of Art, and Cinélumiere, Institut Français, London, UK
Ten Minutes Older, Royal College of Art, London, UK, and The Cube Cinema, Bristol, UK
2005
No Heroics Please, REDCAT, Los Angeles, CA
Perfect City Telepathy, Los Angeles FilmForum, Egyptian Theater, Los Angeles, CA
Shipping+Receiving: CalArts MFA Show, Armory Northwest, Pasadena, CA
Supersonic 2005: The Southern California MFA Show, LA Design Center, Los Angeles, CA
Sweet Substitute, Anderson Gallery, Virginia Commonwealth University, Richmond, VA
2004
The Dark Side of the Sun, Wight Biennial, UCLA, Los Angeles, CA
GRANTS AND RESIDENCIES
2024 Surfpoint Foundation Artist Residency
2019 American Scandinavian Foundation Grant
Herb Alpert Award in the Visual Arts Finalist
2017 San Diego Art Prize (as Victoria Fu & Matt Rich)
2016 Harpo Foundation Grant for Visual Artists
2015 John Simon Guggenheim Foundation Fellowship
Irvine Fellow, Montalvo Arts Center, Saratoga, CA
2014 Art Matters Foundation Grant
2013 YoYoYo Artist Project Fund Grant, Rema Hort Mann Foundation
Fountainhead Residency, Miami, FL
2012 Mellon Grant, American University
2009 Art Matters Foundation Grant
2007 Atlantic Center for the Arts (Joan Mitchell Foundation Scholarship)
2006 Skowhegan School of Painting and Sculpture
2005 ArtTable Fellowship
Ahmanson Grant
2004 National Society of Arts & Letters Scholarship
California Institute of the Arts Dean’s Fund
U.S. Dept of Education Jacob K. Javits Fellowship Finalist
2003 Borchard Foundation Fellowship
Phi Kappa Phi Honor Society
2000 Stanford University Asian-American Association Art Award
Stanford Undergraduate Research Opportunity Grant
COLLECTIONS
Los Angeles County Museum of Art
MIT List Visual Arts Center
Museum of Contemporary Art San Diego
Pérez Art Museum Miami
Whitney Museum of American Art
Deutsche Bank
City of San Diego Civic Art Collection
VISITING LECTURES & TEACHING
Visiting Artist, Creative Growth, Oakland, CA (2024)
Artist Talk, La Jolla Athenaeum, La Jolla, CA (2024)
Artist Talk, Brentwood Art Center, Los Angeles, CA (2024)
Visiting Artist Lecture, Parsons School of Design / The New School, New York, NY (2023)
Visiting Critic, MFA Design and BA Art, Yale University, New Haven, CT (2021/22)
Visiting Critic, Cornell University, Ithaca, NY (2022)
Visiting Artist Lecture with Matt Rich, Department of Architecture, University of Wisconsin, Milwaukee, WI (2022)
November 8, 2021: Visiting Artist, Rhode Island School of Design, Providence, RI (2021)
Visiting Artist Lecture, MFA Art Program, UC San Diego, CA (2021)
Visiting Artist Lecture, Cal State University Long Beach, CA (2021)
Visiting Artist Lecture, Washington State University, Vancouver, WA (2021)
Visiting Artist Lecture, UC Santa Barbara, CA (2020)
Visiting Artist Lecture, Drew University, Madison, NJ (2020)
Panelist, “Joan Jonas in Conversation,” University of San Diego, CA (2019)
Visiting Artist Lecture, Photography Department, USC, Los Angeles, CA (2019)
Visiting Artist Lecture, CalPoly San Luis Obispo, CA (2019)
Panelist, “Sessions in Contemporary Art: Art, Technology and the Body,” Museum of Contemporary Art San Diego (2018)
Visiting Artist Lecture, as Victoria Fu & Matt Rich, Framingham State University, MA (2018)
Panelist, Bemis Center for Contemporary Art, Omaha, NB (2018)
High-Key Color: Artist Panel Discussion, San Diego Art Institute, San Diego, CA (2018)
Visiting Artist Lecture, University of Southern California, Los Angeles, CA (2017)
Visiting Artist Lecture, Cal State Fullerton, Fullerton, CA (2017)
Visiting Artist Lecture, Art Center, Pasadena, CA (2017)
Participant, Artists’ Books Change Lives, organized by X-Tra, LA Art Book Fair (2017)
Participant, Ways of Seeing, organized in conjunction with KCHUNG, Getty Museum, Los Angeles, CA (2017)
Visiting Artist Lecture, Parsons MFA Photo, New York, NY (2016)
Panelist, “Open Window,” Museum of Contemporary Art, Los Angeles, CA (2016)
Symposium panelist, ENGAGE MORE NOW!, Hammer Museum, LA, CA (2015)
Visiting Artist, Columbus College of Art & Design, Columbus, OH (2015)
Presenter and co-organizer, “Touching the Screen,” University of Oslo, Norway (2015)
Panelist, “Remembering Forward: Conversations on Photography,” LA><ART, CA (2015)
Visiting Artist Lecture, School of Art, CalArts, Valencia, CA (2015)
Artist Talk, Maryland Institute College of Art, Baltimore, MD (2015)
MFA Visiting Critic, UC Santa Barbara, Santa Barbara, CA (2015)
Artist Talk, Gallery 400, University of Illinois at Chicago, Chicago, IL (2014)
Artist Talk, Art Department Guest Lecture Series, UC Riverside, CA (2014)
Department of Cinema and Media Studies, Logan Art Center, University of Chicago, IL (2014)
Visiting Artist Lecture, MFA Program, UC Irvine, CA (2014)
“An Artist’s Perspective: Edgar Arceneaux, Victoria Fu, Saya Woolfalk,” panel moderated by Jill Dawsey, Museum of Contemporary Art San Diego, La Jolla, CA (2013)
Artist Talk, Luce Center, Smithsonian American Art Museum, Washington, DC (2013)
Artist Participant, “Re-Placing the Cinematic,” Atelier Nord ANX, in collaboration with Oslo National Academy of the Arts Bergen, Oslo, Norway (2013)
Academy of Art and Design, Grieg Academy, Oslo, Norway (2013)
Artist Lecture, Department of Art & Art History, University of Texas at Austin, Austin, TX (2013)
Artist Talk, University of the Arts, Philadelphia, PA (2013)
Associate Professor of Film/Video, Department of Art, Architecture + Art History, University of San Diego, San Diego, CA (2012-current)
Professorial Lecturer in Media/New Practices, Department of Art, American University, Washington, DC (2011-12)
Panelist, “Render,” UC Riverside / California Museum of Photography, Riverside, CA (2012)
Artist Lecture, Department of Art & Art History, Colgate University, Hamilton, NY (2012)
“Residencies and Artist-Run Communities” Panelist, Washington Project for the Arts, Washington, DC (2012)
Individual Artist Grant Panelist, New York State Council for the Arts, New York, NY (2011)
Artist Talk, School of the Art Institute of Chicago, Chicago, IL (2011)
MFA Visiting Lecturer, Massachusetts College of Art and Design, Boston, MA (2011)
Visiting Artist, Savannah College of Art + Design, Lacoste, France (2009)
Panelist, Visual Arts Fellowship, Maine Arts Commission (2009)
BIBLIOGRAPHY (chron.)
Rebecca Morse, “Watch it, Think it: The Shared Forms, Content, Production, and Sites of Advertising and Art Photography” in Objects of Desire, exhibition catalogue (Los Angeles: Los Angeles County Museum of Art and DelMonico Books/D.A.P.) 2022.
Tyler Nesler, “AND AND AND + Victoria Fu,” Interlocuter, November 30, 2021.
Lita Barrie, “Twenty Artist-Parents Use the Iconography of Empathy to Expand the Paradigm of Family Constructs at the Landing Gallery,” Whitehot Magazine, May 2021.
Mara Altman, “In Her Words: Why Do We Make It So Hard for Artist Moms to Flourish?” New York Times, May 26, 2021.
Charlotte Cotton, “Experimental Photography: Interview with Victoria Fu,” Tasweer, Qatar Museums, 2021.
Liz Park, “The Portal is the Place: Q + A with Victoria Fu and Matt Rich” Remote Control Issue 4, Miller/Institute of Contemporary Art, Carnegie Mellon University, March 2020.
Elizabeth Rooklidge on Victoria Fu and Matt Rich,“ HereIn, May 17, 2021.
Deborah Vankin, “Art Reality Arms Artists with VR Gear and Asks: What If?,” Los Angeles Times (April 25, 2020).
Wanda Strauven, “Screenic (Re)orientations: Desktop, Tabletop, Tablet, Booklet, Touchscreen, Etc.” in Screen Space Reconfigured, eds. Susanne Østby Sæther and Synne Bull (Amsterdam: Amsterdam University Press) 2020.
Bjarne Bare, Behzad Farazollahi, Christian Tunge and Susanne Østby Sæther, eds. Why Photography? (Oslo: Skira Editore, 2020).
Charlotte Cotton, The Photograph as Contemporary Art (London: Thames & Hudson) 2020.
This Skin of Ours, exhibition catalogue, texts by Liz Park, Wendy Vogel and Elizabeth Chodos, (Pittsburgh: Carnegie Mellon University, 2019).
“Victoria Fu in Conversation with Aily Nash” in Brave New Worlds (Palm Springs: Palm Springs Art Museum, 2019): 54-59.
Amanda Waltz, “Miller Institute for Contemporary Art opens two very different exhibits with This Skin of Ours and Intersections,” Pittsburgh City Paper (Oct 9, 2019).
Kaylee Beam, “Palm Springs Art Museum Exhibition Pushes Viewers to New Vantage Points,” Desert Sun (July 31, 2019)
Jake Carver, “Brave New Worlds: Explorations of Space | Bodies, Space, and Energy” Flaunt Magazine (May 29, 2019).
Monster A., exhibition catalogue, texts by Marcus Civin, Ester Partegas, Martabel Wasserman, University of Massachusetts, Boston, 2019.
Christopher Knight, “Spring Art Picks: OCMA, Elliott Hundley’s Dive into MOCA and More,” Los Angeles Times (March 21, 2019).
Lori Kozlowski, “Light and Space,” Frieze Week Los Angeles (February 2019): 24.
Jill Dawsey and Anthony Graham, eds., Being Here with You / Estando aquí contigo: 42 Artists from San Diego and Tijuana, exhibition catalogue, Museum of Contemporary Art San Diego, 2018.
Saul Anton,“Victoria Fu,” Frieze (October 2017).
Wendy Vogel, “Critics’ Pick: Victoria Fu,” Artforum.com (September 17, 2017).
“Rakish Light: Make-Readies,” X-Tra Vol. 20, No. 1 (Fall 2017).
Elizaveta Schneyderman, “X-Variable is Body,” interview, SCREEN (December 14, 2016).
“Victoria Fu,” interview, Juvenilia (December 2016).
Katie Bode, “Default at Honor Fraser,” Contemporary Art Review LA (Carla) (May 12, 2016).
“Introducing: Victoria Fu & Dylan Mira,” MOCA.org (2016).
Amy Beecher, “The GIF Becomes Landscape: Geographically Indeterminant Fantasies,” Big Red & Shiny (June 28, 2016).
Charlotte Cotton, Photography is Magic, New York: Aperture, 2015.
“2015 Best of Baltimore: Best Museum Show: ‘Bubble Over Green’ by Victoria Fu at The Contemporary,” City Paper (September 17, 2015).
Stian Gabrielsen, “Hender overalt,” Kunstkritikk (July 15, 2015).
Cara Ober, “The Seduction of Screens and Neon at Night,” Hyperallergic (March 26, 2015).
Bret McCabe, “Extra Ordinary: Victoria Fu at The Contemporary,” Bmoreart (March 26, 2015).
Frances Jacobus-Parker, “Critics’ Pick,” Artforum.com (March 17, 2015).
Michael Farley, “No aspect of relaunch sounds like a guaranteed crowd-pleaser, but it is a wild success,” Baltimore City Paper (March 10, 2015).
Charlotte Cotton, “Post-Photography,” Objektiv #10, image p. 12.
Tom Gunning, “Victoria Fu’s Velvet Peel: Through the Forest of Screens,” in Bubble Over Green, exhibition brochure, The Contemporary, Baltimore, 2015. (PDF)
Mary Carole McCauley, “Contemporary Opens First Exhibit After Nearly Three-Year Hiatus,” Baltimore Sun (February 20, 2015).
Tony Pipolo, “Frame to Frame,” Artforum (October 2, 2014).
“Guest Lecture,” Artillery (September 2014). (PDF)
Raphael Taylor, “Beautiful Prisoners: Victoria Fu at Simon Preston and the Whitney” Artcritical (June 4, 2014).
“Conversation between Victoria Fu, Paul Pfeiffer and Brad Troemel” in 2014 Whitney Biennial, exhibition catalogue, Whitney Museum of American Art, New York, NY, 2014. (excerpt: PDF).
Matthew Metzger, “Nearly, Very Nearly: Matthew Metzger on Victoria Fu’s Belle Captive“ in Crossbar Radical-Tick Scoop Star, exhibition brochure, Document, Chicago, IL, 2014. (PDF)
Shana Nys Dambrot, “Whitney Biennial: The View from L.A.” art ltd. (March 2014).
Jason Foumberg, “Critic’s Pick: Victoria Fu at Document” and “21 Art Gallery Shows to See in Chicago” Chicago Magazine (February 25, 2014).
Cult of Splendor, exhibition catalogue, University Art Gallery, UC Irvine, CA. Essay by curator Kellie Lanham and conversation between Victoria Fu and Max Maslansky, 2014. (PDF)
“Your Guide to the Artists of the 2014 Whitney Biennial” Huffington Post (March 6, 2014).
Seth Hawkins, “Victoria Fu” Artillery (March 4, 2014).
Pat Elifritz, “Featured Review: Victoria Fu at Document“ Carets and Sticks (February 24, 2014).
Shana Nys Dambrot, “California Artists in the Whitney Biennial” KCET: ARTBOUND (January 17, 2014).
Michelle Pagaran, “Victoria Fu’s ‘Cult of Splendor’” New University (January 14, 2014).
Jacquelyn Gleisner, “Victoria Fu’s Five Attempts at a Palindrome” Art21 Magazine (December/January 2014).
Andrew M. Goldstein, “Ten Things the Whitney Biennial List Tells Us” Artspace (November 13, 2013).
Bryan Granger, “Victoria Fu: Belle Captive at Emerson Dorsch” DailyServing (September 20, 2013).
“25 Artists to Watch and Collect” Artvoices Magazine (September 2013).
Kellie Lanham, “The Films of Victoria Fu” Frankfurter Allgemeine (August 28, 2013).
“PictureMenu’s Elastic de facto @ Carter & Citizen” #ffffff walls (July 2013).
Rana Edgar, “Victoria Fu: Blurring Lines Between Visual Arts and Cinema” Artcore Journal Vol. 2, Issue 1 (July 2013).
Kinsee Morlan, “Sci-Fi’s Final Frontier: The Art Museum” San Diego CityBeat (June 12, 2013).
Louis Jacobson, “Reviewed: Victoria Fu at Flashpoint Gallery” Washington City Paper (May 29, 2013).
Michael O’Sullivan, “Editor’s Pick: Gallery Opening of the Week: Victoria Fu at Flashpoint Gallery” Washington Post (May 17, 2013).
“Ms. May, Victoria Fu" TROP (May 2013).
Sam Newhouse, “Digital Colors Concealing the Bleakness Within: Victoria Fu at Marginal Utility and UArts” The Art Blog (April 30, 2013).
“The Cinematic” in ASPECT: The Chronicle of New Media Art Fall 2012 (Text contributions by Erin Dziedzic).
McQuaid, Cate. “Real and Purposefully Vague” Boston Globe (December 12, 2012): Arts.
McQuaid, Cate. “Editor’s Picks” Boston Globe (November 22, 2012): Arts.
“Interview with Marcus Civin,” Milk of the Eye, (exhibition brochure), November 2012.
O’Sullivan, Michael. “Picks” Washington Post (October 6, 2012): Arts.
Susanne De Heer, “Leder aspect van tijd” 8 Weekly (Decemer 5, 2011).
Esma Moukhtar, “Lost & Found: Geosphere Part 2” Mediamatic (October 2010).
Susanne Østby Sæther, “Featured Artist: Interview” Drain Magazine 13 (April-September 2010).
Susan Gladwin, “Victoria Fu: The Race” in Here Once Again: Where the Art and Cinema Interact, Byeon, Hyunjoo, Yoonjung Lee and Nooree Na, eds. Seoul: Museum of Art Seoul National University, 2008: 53, 58-9.
James Kalm. “Brooklyn Dispatches” The Brooklyn Rail (March 2007).
Mariano Meyer, “Conversaciones” in Juntos acordaron adelantar el oscurecer… (exh. cat.), Patricia Esquivias and Manuela Moscoso, eds. Palma de Mallorca: Centre de Cultura Sa Nostra/Caixa de Balears, 2007: 118-127.
Holland Cotter, “Art in Review: Whitney Independent Study Program.” New York Times (May 12, 2006): E32.
CURATORIAL PROJECTS
California Artists Visit Exchange (Co-Organizer, 2022)
ART OFFICE for Film and Video, (Co-director, 2006-2020)
“The MOVING INDEX,” (2009-present)
“Reality Testing,” Malkasten Park, Düsseldorf, Germany, and LACE, LA (2009)
“Trooz,” PARKHAUS, Düsseldorf, Germany (2008)
“Force of Nature,” Pacific Northwest College of Art, Portland, Oregon (2007)
“Look, Win, Get it On,” UCLA, Los Angeles, CA (2006)
Victoria Fu, “Uta Barth: Points of [Un]Focus” and “Ruben Ortiz Torres: Hybrid Transmutations” in Global Address (exh. cat.), USC Fisher Gallery: 2002, p. 16-22, 68-74.